Born with the name of Mona
Ibrahim Wafa, started dancing professionally at 13. Her dancing meant
she had to flee Egypt for Lebanon in 1970 to escape the anger of her
conservative Bedouin father. When she returned to Cairo in 1975, she was
a star. Her dancing is characterized by an intensity and nuance. However, she has times when she stops dancing for periods. These apparently often match her romantic life. When interviewed by Habibi in 1996 (Vol. 15, No 1) she had married seven times – always to rich men.
Performances
always accompanied by a large orchestra, as do all great Egyptian
dancers such as Nagua Fouad, Fifi Abdou, Lucy, Dina, Nelli Fouad, Hanan
and Nadia Fouad. Mouna Said dances "Raks Sharki" or oriental dance.
This style of dance was pioneered by the Egyptian topdancer, Tahia
Cariocca, who danced in Cairo in the 1930's.
In Egypt it is common that the dancers are the ones that hire the musicians. It speaks for itself the more famous the dancer the more she will be able to engage top musicians. They inquire about who plays well and then search for that musician and try to convince them to work for them. There has also to be a mutual understanding between dancer and musicians. Mona Said hired the most sophisticated musicians at that time. Reda Darwish - who also played for Nelli Fuoad's group - on percussion, Samir Srour on saxophone, Dr. Saad Mohammed Hassan played violin, Omar Farahat the conductor also on violin, and the keyboard player, Mohsen Adley. Mona was mostly performing in London instead of Caïro. Her distinct style made her one of the bellydance stars of the twentieth century. She gave lots of workshops in the US and UK as well as in other countries and trained dance stars like Tamra-henna (who amongst others trained the Bellydance Superstars) and many others.
In Egypt it is common that the dancers are the ones that hire the musicians. It speaks for itself the more famous the dancer the more she will be able to engage top musicians. They inquire about who plays well and then search for that musician and try to convince them to work for them. There has also to be a mutual understanding between dancer and musicians. Mona Said hired the most sophisticated musicians at that time. Reda Darwish - who also played for Nelli Fuoad's group - on percussion, Samir Srour on saxophone, Dr. Saad Mohammed Hassan played violin, Omar Farahat the conductor also on violin, and the keyboard player, Mohsen Adley. Mona was mostly performing in London instead of Caïro. Her distinct style made her one of the bellydance stars of the twentieth century. She gave lots of workshops in the US and UK as well as in other countries and trained dance stars like Tamra-henna (who amongst others trained the Bellydance Superstars) and many others.
I love Mona Said and her dancing style, she's my favorite dancer , she's also a good friend and such a kind and lovely person 🌷💗😊
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DeleteI love Mona Said, and was fortunate enough to study with her in Dallas Tx.USA. At Ahlan Cairo Nights by DeeDee ASAD Little Egypt shows. She is a warm and loving person as well as a most beautiful dancer
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